15:41 - Giza I don't know how to feel about this [link]
15:29 - The RedOctober Yeah but dude already half of the decade is over. We only have enslaved from 2010. Lets see :3
15:12 - Apothecary There are a good number of albums in there from the 2000s decade, so just wait, there could end up being some from the 2010s as well
15:11 - Apothecary Most likely that second one, although this decade isn't over yet though, so patience.... that could change
15:04 - The RedOctober Yes. I read a book by Dan Ariely which had a sort of explanation for this sort of behaviour apart from the good old. When we have a first experience of a particular event or thing we take it as an anchor and judge others wrt to it
15:00 - MHOE Definitely the latter. The 'good old' syndrome at its best.
14:58 - PocketMetal A huge part of my favorite records are from this decade, so...
01. Nunc Fluens 02. The Space For This 03. Evolutionary Sleeper 04. Integral Birth 05. The Unknown Guest 06. Adam's Murmur 07. King Of Those Who Know 08. Nunc Stans 09. Adam's Murmur [demo][Japanese bonus]
I still have to review Design The Skyline for the upcoming Lords Of Metal, that will give them a reason to further whinge and whine A truly horrendous album released on the once good Victory Records label.
'Traced in Air' consists of many different layers, and in my view, listening to it more than twice is necessary to pick it apart and give your final 'judgement'. Naturally, tthis album is certainly not to everyone's tastes. There are those who despise the band's excessive use of keyboards and uplifitng melodies, which prove to be a highlight for me. I will admit that i am a big cynic fan, but 'Traced in air' is one of those albums you really have to listen to without distractions. And even then you may or may not like it. It just depends on personal taste i guess. Anyway, i believe cynic are going to get more melodic with everything they release in the future. 'Carbon-based anatomy' is a relatively brave starting point for that path...
I really like this album. It sounds soft and airy but that's appropriate given the themes they chose for their lyrics. Besides this sound is what makes them quite different from many other progressive metal bands and gives them individuality.
And those who buy the CD will get as a bonus impressive artwork made by Robert Venosa which compliments the music really well.
Interesting how the staff is picking on this whereas the atmosphere itself on TiA is just a tiny bit lighter than on Focus. A bit less intense, less sophisticated, but feels more earthly an calming than the precursor. Back then when this came out I also labelled this as a disappointment, but with time I came to like it pretty much.