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Release date: 24 January 2005
Style: Gothic metal, Symphonic black metal


8 | 176 votes


237 have it
10 want it
1 trades it

01. I-The Machine
02. (N)utopia
03. Hateful Design
04. Never Enough
05. Timeless
06. Which Way
07. Deep Inside
08. Outside Down
10. Losing My Religion [bonus] [REM cover]

Reviews (2)
Lyrics (9)

Staff review by

Chances that many of you have heard about this band are pretty wide, since they're pretty known, they're signed to a major Metal label, and this is their fifth full-length, Graveworm are not one more among the crowd, and they want to prove that with this album, strangely entitled "(N)Utopia".

First thing that makes you want to hear this is the beautiful artwork that graces the cover of the album, is just gorgeous, the angel between the sunken crosses, the logo, the whole blue driven color, just perfect, 10 points for the presentation of the Cd.

published 26.12.2004 | Comments (0)

Staff review by

Graveworm's fifth studio full-length album was released in 2005. Back then I didn't like it that much, but I recently listened to it again, without any prejudices, and it immediately caught my attention in a very positive and surprising way.

I have been a devoted Graveworm fan for several years now and own all their releases so far. I like the way they make their typical Gothic- atmosphere- creating sound with remarkable Black Metal influences and with Stefan Fiori's thrilling screamed vocals. Fiori is also responsible for Graveworm's dark and most of the time romance inspired lyrics.
Graveworm is also known for their great instrumental songs and of course for their violin parts that intensify the Gothic atmosphere.

With "(N)Utopia" the band has reached a new era in their musical evolution. Songs are a bit shorter than usual and also more intense; the keyboard effects have totally replaced the violin. This whole album is much more listener-friendly than ever before. Songs are more powerful and melodic and a lot of catchy elements have been added to the typical Graveworm sound. Also the use of keyboard melodies is - like I said - sometimes strongly present. Great examples of what I stated here are songs like "Timeless," "Never Enough," "Hateful Design" and the (only) instrumental song "Deep Inside."' Songs like "MCMXCII" (1992 written in Roman numerals, also the year in which Graveworm was founded) and "Which Way" have the most remarkable similarities with older Graveworm work but still have influences of a different style with some new elements.

The only thing that hasn't changed and that only is getting better - if possible - are Fiori's vocals (cfr. "I-The Machine" and "MCMXCII"). His voice and the way he can switch from deep growling to higher screaming is just amazing. His vocals have grown stronger through the years and the last four Graveworm albums (including (N)Utopia) each have been a highlight and proof of his talent, and each of those albums is considered to be a Graveworm masterpiece.

Overall this album certainly isn't as bad as I originally thought and I'll even indulge by saying this is a (pretty) good album. But relatively speaking, it's still not as masterly as the three previous albums.
published 04.06.2006 | Comments (7)

Found in 3 lists
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Vonpire Vonpire's 2005 Best  | #40
Orvokki My Favorite Albums  | #6
rubioeh My Best Black Metal Albums  | #23
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Heka69 - 24.03.2011 at 20:45  
  Losing my religion is awesome
musicalkaratekid - 11.02.2016 at 19:47  
Rating: 5 It's clear Graveworm were heading in a different musical direction with this record, but unfortunately for me the whole thing sounds uninspired and average. A few songs stand out-"I, the Machine", "Which Way" and the decent R.E.M. cover-but they don't make up for the lackluster nature of other songs.

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