05:06 - Apothecary But yes, that other one was quite nice, if you were at all interested. Pretty stunning use of native percussion [link]
05:05 - Apothecary I'm terribly indecisive when it comes to sharing new music discoveries on here. If I shared everything I wanted to, believe me, you all would be overloaded with at least 4 pages of shouts
04:55 - no one wonder why you deleted the last shout
04:51 - Apothecary Some of the best ambient I've yet heard this year. Not sure how I managed to miss this back in January. Seriously cool [link]
01. Psalm 666 (Intro) 02. Creed Of Abraham 03. Hollow Womb Of Suicide 04. Sword Of The East [Hawkwind cover] 05. Satanic Black Nubian Pharaohs 06. Wonderful World [Louis Armstrong cover] 07. The Gods Who Mock Us 08. Behold The Kindred Battle Carcasses Strewn Across The Bloodied Dunes Of Gilgamesh Mute In The Frenzied Clamour Of Deaths Rolling Tongue And Ravenous Bursting Steel 09. Beyond Death And Darkness
How many times have you listened to a band and been irritated at the fact that their music doesn't seem to properly reflect the themes set by their lyrics? It can happen a lot, and coming from both a writing and a musical background, I tend to have a pretty dismissive (that is, snobby) attitude towards bands that fail to maintain a strong unity between the two. Fortunately for The Meads Of Asphodel, this has never been a problem, and their bizarre blend of black metal has always seen its topics of Christian and Middle Eastern history augmented by a careful choice of instruments and compositional structure. Damascus Steel, the band's third album, sits at an interesting point in their discography, both continuing upon the path set by their previous material, while also exploring some more sophisticated, perhaps bolder territory.