14:29 - LuciferOfGayness Is there anywhere I can read about posting here? I cant get up to graphical standards with my posts.
14:20 - Apothecary So I have an opportunity to catch Clipping in Miami next month. Holy shit
13:58 - Hex_Omega Woohoo 'As Autumn Calls' and 'Quartz' added. Finally bands from my list.
08:11 - Mr. Strawberry Good ! Enuff z'nuff is releasing a new album in Dec. I'm expecting something which is unexpected. Chip is the only old member left, "Strength" is still one of my best album in 90's as Donnie's vocals are damn good.
06:18 - Fearmeister Its very different. They moved away from the black metal sound and embraced a synth heavy occult metal style. Im really digging it
06:10 - Verdun_sc Zemial guy and the main guy are brothers, in fact! I hope that Agatus is as good as the first two from Agatus.
06:01 - Fearmeister Its actually an old band that just put something out in 14 years. Zemial guy is one of the two members and you can see the influence
01. Psalm 666 (Intro) 02. Creed Of Abraham 03. Hollow Womb Of Suicide 04. Sword Of The East [Hawkwind cover] 05. Satanic Black Nubian Pharaohs 06. Wonderful World [Louis Armstrong cover] 07. The Gods Who Mock Us 08. Behold The Kindred Battle Carcasses Strewn Across The Bloodied Dunes Of Gilgamesh Mute In The Frenzied Clamour Of Deaths Rolling Tongue And Ravenous Bursting Steel 09. Beyond Death And Darkness
How many times have you listened to a band and been irritated at the fact that their music doesn't seem to properly reflect the themes set by their lyrics? It can happen a lot, and coming from both a writing and a musical background, I tend to have a pretty dismissive (that is, snobby) attitude towards bands that fail to maintain a strong unity between the two. Fortunately for The Meads Of Asphodel, this has never been a problem, and their bizarre blend of black metal has always seen its topics of Christian and Middle Eastern history augmented by a careful choice of instruments and compositional structure. Damascus Steel, the band's third album, sits at an interesting point in their discography, both continuing upon the path set by their previous material, while also exploring some more sophisticated, perhaps bolder territory.