13:48 - Marcel Hubregtse And even though most members don't post they are active by reading news, reviews etc. Like has been said before the forum is just a small part of MS.
13:47 - Marcel Hubregtse 60,000 members over at MS yet 1,000,000 are non-active? How is that possible K7? :p
13:07 - ANGEL REAPER looks like i can log into ms using my calculator.neat
12:42 - Bad English 1000000 non active users, even ms avards this year dont brought so much users... seriusly wtf
12:39 - Bad English but it dont make sense, forun is dead, acticities is dead, contribution concert reviews, articles, intervievs are dead, only what is alive , new bands addet and SB ,, so 60000 wont make a sence, better 5K active forumers, then
12:31 - Bad English SSUS - make a total ban to Nathan and Raspy, they will create new accounts and here you go
Something very nasty must happen to leave behind my admiration for the German black metal scene of the later years and Infestus are not here to serve this cause. Being a one-man band nowadays, Andras takes care of everything and the third full-length is reality. E x | I s t its title and the existential matters keep on breathing through the sullen, grey cover artwork which prepares the listener in the most appropriate way.
Agreed for the most part, this and Negative Plane's latest are excellent releases, but my personal tastes are drawn more to Woods of Desolation and Deafheaven.
Dort, wo das alte Böse ruht is a great black metal album as well. 2011 is not too shabby thus far.
Deafheaven and Woods are a little too effusive for me to love, too heavy on the melody and not enough concentration on a strong, unique sound (or at least one that doesn't pander so much to that blackgaze sound anyway). Still nice stuff though. If you haven't yet get round to listening to that Verwüstung record, I reckon it's right up your proverbial alley.
I feel sad giving this such belated praise, but returned to down spiral personification whilst getting drunk and remember just what a quality album this truly is. Sad it's name alone removed much of its praise opportunity, but a truly great album given such an impreassive 2014 followup
Whoever produced this album deserves a raise. If anyone is still searching for the cover artist it seems to be by Eric Lacombe. Can't find the exact artwork but it's too eerily similar to his other work for it not to be.