Band:	Megadeth
Album:	Youthanasia
Style:	Heavy metal
Release date:	October 1994

01. Reckoning Day
02. Train Of Consequences
03. Addicted To Chaos
04. A Tout Le Monde
05. Elysian Fields
06. The Killing Road
07. Blood Of Heroes
08. Family Tree
09. Youthanasia
10. I Thought I Knew It All
11. Black Curtains
12. Victory

[2004 re-release bonus tracks]
13. Millenium Of The Blind
14. New World Order [demo]
15. Absolution (Instrumental)
16. A Tout Le Monde [demo]

Four years after the epic Rust in Peace, Megadeth, under the command of the creative Dave Mustaine, made it again. For the greatest pleasure of our impatient ears, Youthanasia has been released in 1994. After the phenomenal success of the previous disc, the very metallic Countdown to Extinction, Megadeth's fans owed to be surprised, or could have been bored in a genre in which competition was tough (Metallica, Anthrax...).
So what? Did they make it?

Well, Youthanasia, with its sumptuous melodies and its warm production has soon convinced and charmed a huge attendance, confirming Megadeth among the greatest bands of metal. Without having the creative boost and the volume of Rust in Peace, Youthanasia distinguishes itself of the previous albums by its ability to alternate very rhythmed tracks and power ballads, of which the lyrical "A tout le monde" is the best example. This is a stunning and bewitching track, introduced by arpeggios, and that has the distinctive feature to integrate very well a chorus in French. "Blood of Heroes" is played in the same way, with arpeggios to introduce it, then the rise with a merciless rhythm part. Even though the guitar solos are softer than before, the emotional force is still there. For instance, "Addicted to Chaos" is as good for its impeccable structural aspect as for the innate feeling of the four guys that make this song flowing and wonderful at the same time.

More than on any other album, the rhythm parts have the lion's share on most of the tracks. "Reckoning Day" and "Train of Consequences" particularly highlight Dave Ellefson and Nick Menza, whose drums' sound has never been that warm.

All along this album, it becomes clear that Megadeth did not lose its creative verve with the nervous "Victory" and "The Killing Road", or "Elysian Fields" and "I Thought I Knew It All", two unusual tracks but still very good. And even though "Family Tree", "Youthanasia" and "Black Curtains" are quite modest, they perfectly fit in the album without harming its unity.

Actually this is a really excellent album that shows the band has been able to renew without falling into the trap of commercial silliness. On the contrary, Megadeth has made a lyrical and technical performance without denying the qualities that have borne them until the top.