Band:	Emptiness
Album:	Vide
Style:	Darkwave
Release date:	February 2021

01. Un Corps À L'abandon
02. Vide, Incomplet
03. Le Mal Est Chez Lui
04. Le Sévère
05. Ce Beau Visage Qui Brûle
06. Détruis‐Moi À L'amour
07. Plus Jamais
08. L'erreur
09. On N'en Finit Pas
10. L'ailleurs

Emptiness left their death metal husk. What's left is Vide.

The trajectory of Emptiness has been a very interesting one. Formed in 1998, they spent the first decade of the 2000s as a fairly standard but nonetheless worthwhile blackened death metal band. Their two main members also spent considerable time as or are still members of Enthroned. Something changed with 2012's Error, an album that focused its death metal energies more into an atmospheric lumbering industrial direction, and that was even more obvious in the massive 2014's Nothing But The Whole, which truly feels like death metal deconstructed into an atmospheric landscape, but still recognizable as death metal. 2017's Not For Music completely reduced the death metal, bringing a lot more post-punk / darkwave sounds, while still keeping a foot into metal territories. That foot has been lifted.

I don't know if this is a one-off experiment, but judging by the band's trajectory, regardless of whether they bring back their sound into more metal territories or not, no future Emptiness album will sound too much like any previous Emptiness album, including Vide. But even so, I'm listening to Vide and I'm quite baffled. I know coming in with the "this used to be a metal band" mentality is like shooting yourself in the foot in terms of enjoyment, and I'm generally a big fan of metal bands moving away from metal, whether it be Opeth, Ulver or Anathema. So if I'm listening to a non-metal album by a metal band, I actually expect to come out enjoying it. That didn't really happen here. Even if I try to pretend this is an album by some other band.

I don't think Vide is terrible, or even bad. But to draw a short comparison to another instance of a metal band doing a non-metal album, Opeth's Damnation is seen as the golden standard of this types of albums. I love every song on Damnation. But I don't like listening to Damnation. It's my case of "the whole is worse than the sum of its parts". That kind of happens here, any song on Vide sounds pretty much in vein with a lot of the atmospheric coldwave dabbings of the previous two albums, and each of these could've found their way on those albums, and I would've loved them in that context. I can't say that Vide sounds just like an album of extended intros/interludes/outros, but it sounds too much like one.

However a lot of Vide feels like it has more in common with ambient music than with previous Emptiness albums. The heavily processed vocals, the dreamy atmospheres, the tape manipulation, oozes of either dream pop or something like The Caretaker or William Basinski. The band clearly has some skill in crafting ambiance, melding it with the traces of the old Emptiness sound, and with a healthy dose of 80s post-punk/dream pop/darkwave, but still not enough to make it interesting for more than two consecutive songs. I expect I will be listening to the songs here quite a lot, whether alternating with other Emptiness songs or with similar stuff, but I doubt that I will give the entire album another full listen for a long while.

That said, my curiosity of how the next Emptiness album will sound like will indefinitely persist. But please don't put a fetus on your cover art again.