Alestorm - Sunset On The Golden Age review
|Album:||Sunset On The Golden Age|
|Release date:||August 2014|
01. Walk The Plank
03. Magnetic North
04. 1741 (The Battle Of Cartagena)
05. Mead From Hell
06. Surf Squid Warfare
07. Quest For Ships
08. Wooden Leg!
09. Hangover [Taio Cruz cover]
10. Sunset On The Golden Age
Disc II [Rummplugged] [mediabook bonus]
01. Over The Seas [acoustic version]
02. Nancy The Tavern Wench [acoustic version]
03. Keelhauled [acoustic version]
04. The Sunk'n Norwegian [acoustic version]
05. Shipwrecked [acoustic version]
06. Questing Upon The Poop Deck [bonus]
As the metal world's premiere posse of scurvy Scottish scoundrels, Alestorm's job is to showcase their pirate shtick without completely overshadowing the music. While Back Through Time hosted a couple of new classics and even brought some new tricks to the table, "Scraping The Barrel" rang a little too true for most of the album. I feared that Alestorm had lost their touch, but Sunset On The Golden Age has revealed that to be merely the calm before the storm.
Back Through Time's "Death Throes Of The Terrorsquid" marked an important moment for Alestorm; the shocking eruption of black metal halfway through showed the band exploring not only the far reaches of piratical gimmickry, but what it means to be a metal band underneath the swashbuckling. By my reckoning, Alestorm had already been a great band up until this point, managing to perfectly balance the recklessly fun image with solid, glorious folk metal. Back Through Time lost focus musically and was subpar as a result, enjoyable though it still was. Sunset On The Golden Age sees them pushing their own musical boundaries in a way that not only makes for a truly interesting album but saves them from becoming a nautical-themed Korpiklaani. This album proves that Alestorm are more than a one-trick pony - and while I loved that one trick, any band so single-minded has to prove their staying power at one point or another.
Dribs and drabs of death metal, hardcore, surf, new age, and even dance music seep through amongst the alcohol-soaked shanties, injecting new life into these greasy, unkempt flowers of Scotland. From the unexpectedly heroic chorus of "Walk The Plank" to the 11-plus-minute title track, a change has come over Alestorm, demonstrating that they can take their music seriously without taking themselves too seriously. Much of the album does follow the traditional Alestorm formula (snarling pirate stuff over salty keys and stormy guitars), but with some of the most delightful energy and adventure we've ever seen from them. Perhaps there is nothing surprising about "Drink" or "Wooden Leg!", but even the standards are done better this time around.
"1741 (The Battle Of Cartagena)" is this album's answer to "Death Throes Of The Terrorsquid," with its own evil symphonic passages, death growls, and demonic fury. It's about bloody time we got a song about the War of Jenkins' Ear, too. If you ever wanted to hear a pirate rap, "Hangover" has a special treat for you. As perhaps the world's first folk metal/dance-pop song, it varies from the typical Alestorm fare, but at the same time sums up everything they are about. It's self-consciously ridiculous and fun and may very well be the dumbest thing you hear today, but it still manages to be a great song that you'll look forward to hearing whenever you throw on this album.
Alestorm, like any "theme" band, face the challenge of keeping both their image and their music consistent without sacrificing one for the other. It seemed like they could slip for a moment there, but after this album, no one can question their legitimacy. Sunset On The Golden Age hardly lives up to its name; if anything, it is the dawn of a new and greater era for Alestorm. Steady as she goes, mates.
||Written on 03.07.2014 by Reviewing since 2010. Reviewing competently since 2013. More metal than you since before the dawn of 'istry.|
|Alestorm - the band that sings about booze a bit more than Korpiklaani, and probably drinks a bit more than them, too. Their last album stormed in during summer 2014 with a big anticipation from their fans. The work is the last one with their now ex-guitarist Dani Evans, who had been a part of the band since their first album.
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