12:47 - Bad English and we turned clck one h forvard so one h was stollen, less sleep I will compasate it whit 5h at day ... I am outcast rules and obligations dont exist for me in after work and free time
12:41 - Bad English vampires can not live in N Swe we have 22h sun per summer and remaining 2 h is day light
12:38 - Bad English no none - Johan was online just 20min before you asked me and I am often online at night in weekeds, I have no wife who needs me wake up in 9 and go shoping
12:17 - 3rdWorld Keio Line > Orange Canyon Mind => Merzbow > Skullflower ?
12:12 - The RedOctober SO for the past few days I have finally started listening to melodic death metal.(I was a techdeath maniac) Listened to Heartowrk then a few arch enemy? wht d f happened to amott? :O
08:02 - Joe Zombie That Corpus Christii is actually pretty decent. Liking the vocals and riffs. Solid stuff so far.
07:52 - ZoranXT Hey people, everyone from EU - see you at metaldays [link]
01. The Great White North 02. De-Evolution of Music 03. Economics Without Ecology 04. The Dregs Download 05. Peasant 06. Jesus Heist 07. Food For Thought 08. Playing The Role 09. Chump Change
Do you ever get violent diarrhoea while on public transit? Yeah, no, neither do I. If I did however, I picture Norris would make a pretty fitting sound track for that initial awkward moment. Now before you start up with "it sounds like shit" jokes, let's clarify something; this is not a bad album.
Norris play this kind of spastic sludged-out hardcore. It's raw, heavy hitting, and frankly a little bit difficult to follow a lot of the times. I guess one could say it's a crossroads between Baroness, or old High On Fire, intersecting with a more organic sounding Between The Buried And Me. The interesting mix of the song writing vs the production is definitely what gives Norris their unique sound. The songs are jagged, full of sharp stops and turns thrown in between the grooves, yet the production is more of an earthy, dull heaviness.
Where Norris' problem lies is how completely alienating this music is throughout a majority of it's play time. Yes, it is incredibly unpredictable, but that aspect is abused to no end. Normally, it's easy just to cast off these bands that obsess over technical prowess as shit. Norris, however, continually prove capable of writing some rather enjoyable riffs, but for some odd reason will not let you listen to them for more than a few seconds. It's a bit like watching a movie from the Saw series; those surprise twists and turns would definitely hold a lot more power if they weren't a constant. The Great White North might be something worth listening to for those who enjoy a healthy dose of chaos in your music, here's to hoping Norris will use this chaos more purposefully with any future releases.