For generations, ever since his explosive debut with this legendary album, Eddie Van Halen has been synonymous with the electric guitar. With the runaway success of Van Halen and the wild, high-energy rock/metal combination the band purveyed in so many hit singles, Eddie became one of the most visible and respected shredders of the '70s and '80s; his most lasting contribution to the craft may be the popularization of tapping, especially of the two-handed variety, and he expressed a familiarity with pinch harmonics, sliding, vibrato, and other techniques that had yet to be fully mined by his genre, but beyond that he wrapped the spotlight around himself and pushed the art of guitar-playing into a new plane of excess. From his distinctive tone to his knack for riff-writing to his seemingly effortless facility with his instrument, Eddie was a monumental figure, the gold standard for hard rock and glam metal in his heyday and even now one of the faces of the guitar to the world at large. We shouldn't forget how he pushed the envelope even further with his daring use of synthesizers on "Jump" and his collaboration with Michael Jackson on "Beat It," but it is this album that more than any illustrates why people have always talked about Eddie Van Halen as a revelatory force.

"Eruption" is a notorious benchmark of technical prowess, as iconic as "Smoke On The Water" or "Iron Man" but for a higher skill set, and songs like "Ain't Talkin' 'Bout Love" and "Runnin' With The Devil" boast some of the most recognizable riffs of the decade; the name "Van Halen" itself has become an antonomasia to describe a musically skilled showman. Even the design of his trademark "Frankenstrat" has developed into an image and a brand all its own. I may not be the biggest Van Halen fan out there, but it's impossible to deny the status that Eddie enjoyed in the musical world and the sway he held over generations of players; I'm glad I was able to see him once and watch him live up to that reputation.

RIP Eddie.

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