@Sahar - US/Israel and Middle East have a damn history for being a cold-blooded foes. It has now reach to the pinnacle. It got have to be one way ticket to crazy fucking carnival.
Sorry I don't feel soey about Fico or some Iranian smart-ass. If west would push harder sanctions, Irani helicopters and jets would be more dangerous to fly.
@BE: Say what you want about the Iranians and their foreign policy, but they're really just playing a game the US gave to them on a silver platter after toppling Saddam
It didn't even start with the drone strike on Israel honestly, it started with them pumping funds to Hezbollah and the Houthis to put pressure on Israel to cut the shit in Gaza. But yeah, it's definitely at a new level now
One plus one makes two. One plus one... Can it make one?Darkspace strips down its formula; the negatives add up, and yet the cosmos remains as cold and unforgiving as ever.
That song will have 47 minutes so I think it can be considered a regular full-length. Perhaps musically it is more continuation of -I than III I, we will see.
So disappointed. This would've been fine as an interesting side project, or as a detour between regular albums. But after 10 years of waiting, this doesn't do it for me at all.
No energy, no noteworthy riffs.
This was perhaps the most anticipated album of a year for me so needless to say I was hoping for a lot more. Not much variety for 47 min song and it's quite disappointing it's all just mid-tempo with no faster sequences. The follow up better come up a lot sooner (and be a lot better).
I have to say it's growing on me a bit. Still, it will occupy the bottom of their discography for me but I came to appreciate it for what it is.
For those interested, someone made 2 interviews (3 hours total) with Darkspace mastermind where he talks about all kinds of Darkspace and Paysage d'Hiver stuff. Here (at 12:50) he talks about how this album came to be:
I'm not super acquainted to Darkspace (although have listened to a couple of their albums) - I do enjoy the ambient industrial vibe of this, and it does gradually intensify a bit, but for the first half it remains a bit too empty such that it grows a tad monotonous for me
I have to say it's growing on me a bit. Still, it will occupy the bottom of their discography for me but I came to appreciate it for what it is.
For those interested, someone made 2 interviews (3 hours total) with Darkspace mastermind where he talks about all kinds of Darkspace and Paysage d'Hiver stuff. Here (at 12:50) he talks about how this album came to be:
Thanks for the video. What a chill guy, who would've thought.
Cool to hear that III II is still in the works. Doesn't change the fact that -II doesn't scratch the itch of the 10-year wait.
I will spin it again, maybe it'll grow on me as well.
I've struggled with this one tbh, it feels like it continuously build-up to something special but then nothing really happens by the end of it. Unfortunately I find it quite atmospherically dull and it becomes no more than half decent background music, the heavy use of spoken word doesn't help really either.
As others have said, it monotonously builds but ends up going nowhere. It would be good to throw on for background ambience but I doubt I'll ever pay much attention to it if I do that. It's not bad and I can appreciate it for what it is but that doesn't translate to enjoyment.
It is captivating (especially in the first and last minutes) as every Darkspace release, but it is also extremely monotonous. Although tailored in this way by purpose, I do not think it delivers.