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Guest review by
Justin
Rating:
9.0
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It's been a long four-year wait since Meshuggah has graced us with some new studio material (I'm not including 2000's compilation album 'Rare Trax'). But lo and behold, 'Nothing' has finally arrived. It has to be said that Meshuggah albums are not an easy listen, and even if their peculiar brand of metal is your thing, it takes time and quite a few listens to really grasp what they're trying to portray on any of their given albums. Having said that, the one instantly noticeable thing about 'Nothing' is the speed (Or lack of). The introduction of their custom made eight string guitars has obviously influenced the more groove and mood orientated sound scapes this time around. The solitary riff of 'Stengah' opens proceedings before the amazing percussion of Tomas Haake's drum kit kicks in. From here it's the unusual time changes that dominate most of Messugah's songs that comes into play. Things speed up a little with 'Perpetual Black Second? and 'Glints Collide', while 'Closed Eye Visual' brings to mind, while only slightly, the most abrasive music Ministry has yet to make. There's also a James Murphy sounding solo towards the end that is at odds with the music playing behind it. It sounds odd, but works just the same.
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| published 22.09.2003 | Comments (4)
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Users visited:
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| Rating: 10 |
Meshuggah is a necessity. this is their best album !
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| Rating: 9 |
There is nothing that sounds quite like this album, pardon the pun. It seems like Meshuggah are in their own world and you are sucked into it from the first song and then relentlessly hypnotized by the repeating rhythms which bend, twist and build.
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