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Guest review by
DayFly
Rating:
9.4
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With the original lineup or rather the most visual part of the original lineup consisting of Chris Holmes and Blackie Lawless reunited, glam's premier shock act set out to reclaim the vacant (or otherwise occupied) throne of shock rock. Like Mötley Crüe, Alice Cooper and a host of other veteran acts, W.A.S.P. opted to operate in industrial metal, the chosen medium of the decade's most notorious act Marilyn Manson. Despite the new sound, the band's sonic fingerprint remains but make no mistake, Kill, Fuck, Die puts W.A.S.P.'s heavy metal into the industrial format, not the other way around. This is also the reason why K.F.D. could succeed in the first place, for if such a major change were not followed through to the end, a band would not only face the familiar accusation of selling out but also of creative cowardice.
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| published 24.07.2009 | Comments (4)
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Still this is wasp, even this is week album but after all masterpiece what ha sbeen written before, still this is wasp, seems they experment lil but what we can ask from band in 1997?
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