02:23 - Bad English Madi - in Luleå we have no sun at all ;p wel it has between 10:00 and 13:00 but half sun not ful, you need nbe in high mountan to see it
01:24 - !J.O.O.E.! Aha yeah, that's true. I would also add lack of social inclination is probably going to be a part of it sooner if I don't get out and sort it.
01:21 - snake? snaaaake! @joe Low mood, anhedonia (no pleasure in things you usually enjoy) and low energy are the 3 major depressive symptoms, not that I'm diagnosing you over the shoutbox.
01:19 - no one feeling down as fuck is depressed isnt it?
01:19 - !J.O.O.E.! I don't really feel down as such. More like numb; I'm having trouble enjoying typical things, lack of motivation, low energy, also a fair amount of light nausea the past few days. It gets dark here around 4 / 4.30pm at the moment.
01:16 - mz I don't really think that lack of sun for just two hours can cause a physiological reaction, but it can feel me down as fuck.
01:15 - no one its a fact more people are depressed in areas with less light
Additional info Produced by Boss
Recorded at Montezuma Studio, Stockholm Sweden
Album cover design by Quorthon
Album front cover photo by Rick Ridgew and Oscar Kihlborg
Album back cover design, construction and photo by Quorthon
A follow up album to Hammerheart, very epic indeed, and with wonderful musicianship involved, as always. A worthy album for it's predecessor.
The album indeed starts out with an eerie wind atmosphere, it slowly adds up to loud guitars and depthy drums, very powerful indeed. The first song I think, is very great, the weakest part is probably Quorthons vocals, which maybe could've been a tad louder, and maybe better sang? Not sure, the rest of the song is just amazing work, in my opinion. Very atmospheric and somewhat doomish. It's 14 plus minute length seems to fly by as you sit and enjoy the music, it fades out with great acoustics and atmospherics (the wind.) You can practically see the mist.
It doesn't quite reach the standards set by 'hammerheart' in my opinion, but it comes damn close. The title track is a legendary epic, and most of the songs here really grab your attention with their victorious melodies and viking imagery. Brilliant album, even if it is the last truly brilliant bathory album.
This album and all his later albums all are not listenable due to his damaged vocals.
I like his vocals on this and especially the 2 Nordlands. I'm not hearing damaged vocals.
His vocals started gaining more textured on Blood Fire Death and Hammerheart, especially Blood Fire Death which packed with wonderful black "harsh shrieking" that really damaged his vocals few years later. His vocals became thin which can't drag to the extreme (most of the time stop half way), what a shame.