09:27 - Lokaeda Check the album "morbid fascination of death" by Carpathian Forest, there's a song with some sax on this one.
08:29 - Unhealer First use of sax in metal I can think of is on Pan.Thy.Monium albums. It had to be Swano.
08:10 - AngelofDeth you're right, a little weird to get used to but it works pretty dang well in that song. It needs to be stylized to metal rather than just sticking a weird 80s sax break down in the middle of a song
08:04 - AngelofDeth didnt know other bands were doing it too. Very strange. Ill check that out though
06:56 - hadriel Listen to Ihsahn's On the Shores and all of the doubts anyone would ever have about the sax being in metal will be squelched
05:28 - Unhealer It's because it's just awesome <3 It really fits metal.
05:13 - Zaphod Turisas, Whispered and Behemoth are just the ones that don't pull it off, there are plenty that do.
Additional info "Faustian Echoes" is a single, two-part song based on Johann Wolfgang von Goethe's epic masterpiece Faust. Reaching over twenty minutes, "Faustian Echoes" is the longest song Agalloch have ever written.
Here's a little game I like to play: guess what genre the next Agalloch EP will be? From the blasting lo-fi of From Which This Oak to the strange semi-electronic remixes on The Grey to the acoustic laden, Wicker Man-themed The White, Agalloch has managed a wide spectrum on their music palette, which makes this guessing game downright impossible. One thing's for sure, the EPs are never similar in genre to the preceding album, right?
Awesome song. It was great live, although I think they should have kept the middle and end commentaries for the performance. Too bad they probably won't be able to play this one live again for a while.
BTW, those interested in buying a physical copy of this can now. The band has it on their official ebay for $12 + shipping. I don't think the CD version is a limited release, unlike the vinyl, so their should be re-pressings of the CD version.
Agalloch have never failed to deliver captivating music, and this EP continues that tradition of excellence. If you had always been curious to hear what Agalloch would sound like if they played a purely black metal song, here you go. This is 20 minutes of dark, aggressive black metal. Of course, the flourishes and crescendos that Agalloch fans know and love are still very much present, as is Haughm's impeccable sense of melody and Anderson's great lead guitar playing, with Walton remaining a crucial, but more subtle element on bass. Aesop's dynamic drumming is fast becoming a staple of Agalloch's sound, and again the man works wonders here. Overall, another fantastic EP from this fantastic band.