11:33 - Angel N. No Lemmy came over to stay with me forever.
11:09 - Mr. Cheeky You need to remove them from your updates list as well. On the drop down from your name on the top lest corner, click updates, Click Show watched bands and options, then remove bands you don't care to stop the updates.
10:50 - Arcticus Can anyone tell me how to stop getting news updates from a particular band? I removed In Flames from my favourite bands in my profile literally years ago but they still get included in my updates...I know I know, serious issues
06:43 - Fearmeister I feel that Lemmy went to hell, became an Arch Demon, then went and possessed these motherfuckers. Holy shit, I'm still picking up pieces of my skull [link]
01:07 - no one Someone posted that the other day, wonder who murderd the kid
Additional info "Faustian Echoes" is a single, two-part song based on Johann Wolfgang von Goethe's epic masterpiece Faust. Reaching over twenty minutes, "Faustian Echoes" is the longest song Agalloch have ever written.
Here's a little game I like to play: guess what genre the next Agalloch EP will be? From the blasting lo-fi of From Which This Oak to the strange semi-electronic remixes on The Grey to the acoustic laden, Wicker Man-themed The White, Agalloch has managed a wide spectrum on their music palette, which makes this guessing game downright impossible. One thing's for sure, the EPs are never similar in genre to the preceding album, right?
Awesome song. It was great live, although I think they should have kept the middle and end commentaries for the performance. Too bad they probably won't be able to play this one live again for a while.
BTW, those interested in buying a physical copy of this can now. The band has it on their official ebay for $12 + shipping. I don't think the CD version is a limited release, unlike the vinyl, so their should be re-pressings of the CD version.
Agalloch have never failed to deliver captivating music, and this EP continues that tradition of excellence. If you had always been curious to hear what Agalloch would sound like if they played a purely black metal song, here you go. This is 20 minutes of dark, aggressive black metal. Of course, the flourishes and crescendos that Agalloch fans know and love are still very much present, as is Haughm's impeccable sense of melody and Anderson's great lead guitar playing, with Walton remaining a crucial, but more subtle element on bass. Aesop's dynamic drumming is fast becoming a staple of Agalloch's sound, and again the man works wonders here. Overall, another fantastic EP from this fantastic band.