19:57 - Troy Killjoy I'm not against them being here, but whenever these kinda fringe bands are suggested I hesitate to add them without consulting the rest of the people involved with the database.
19:55 - Mr. Doctor They might be mellow but they are still more metal than many other post bands we already have. That's what I'm getting at. :P
19:54 - Troy Killjoy I wouldn't rush to add them but I could see them here. Of course, it's gonna get to the point where we have to add every post-rock band under the sun, but ya...
19:51 - Mr. Doctor I know we moved away from the topic but I honestly think Woburn House is metal enough for the site. I know this doesn't say much but even MA has them on their site. Also, Damn, I just found out the separated this year. Damn.
19:48 - J. N. I just start talking about shit again 3 days after. Aaaawkward.
01. An Industry Of Murder 02. Slow Motion Countdown 03. Seven Seven 04. The Suits, The Law & The Uniform 05. Endless Night 06. Hard Time Lovin' 07. Goliath 08. Fool In The End 09. 20/20 (Tunnel Vision)
Session musicians Nils Dahl - rhodes, piano and mellotron on "Slow Motion Countdown" and rhodes on "20/20 (Tunnel Vision)" Magnus Jäverling - hammond on "Hard Times Lovin'" Martin Holm - saxophone on "The Suits, The Law & The Uniforms" Erik Sjöberg Ridderström - Norwegian fiddle on "An Industry Of Murder"
Additional info Produced, recorded and mixed by Don Alsterberg in Gothenburg, Sweden at Don Pierre Studios at various days between May and early August 2012.
Mastered by Hans Olssonn Brookes at Svenska Gramofonstudion Mastering.
Jonatan Ewald - some last minute engineering.
Front and back cover art by Henrik Walse, Walse Custom Design Co.
Layout by Tobias Barth, Jaggd Design.
Photos by Anders Bergstedt.
After the first listen I thought that this album is weaker than "Hisingen Blues" but now that I've listened to it a couple more times I can say that it's almost on the same level. There are some fast and rocking songs, such as Endless Night and Goliath, and there are also some nice slow, bluesy songs (i.e. Hard Times Lovin'). Overall this is definitely a hard rock album of the year for me.