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2005-


Biography

The band was idealized by and composed of members of the Brazilian comedy act Hermes & Renato that aired on MTV in 2002, in a trash horror movie-like segment that showed a youngster who bought a Massacration record and, by playing it backwards, triggered a curse that, ultimately, turned back against him. [1] After this segment, followed an "exclusive interview" with the five band members and then, the video premiere for "Metal Massacre Attack". In these segments, the name of the band did not have the present spelling: it read "Masacretion" on the record cover, and "Massacrassion" from the interview sketch up to the video itself.


After the making of the song (and video) "Metal Massacre Attack", the video began airing not only on the Hermes e Renato comedy show, but also on the MTV regular rotation videos. The promo video was such a success that the crew was forced to make more songs and videos. "Metal Bucetation" followed "Metal Massacre Attack".

In 2005 they finally finished their first album, Gates of Metal Fried Chicken of Death, produced by João Gordo, lead singer of Ratos de Porão, a reputed hardcore punk Brazilian band. The first single was Metal is the Law. Because Jimmy "The Hammer" and Headmaster are not real musicians, Igor Cavalera recorded the drums and Blondie Hammet recorded all the guitars.

They have been requested to perform live their songs, and have so far appeared in the Abril Pro Rock Festival and Brasil Metal Union (the latter an all-heavy metal festival). Most of the humour effect of the band relies on its use of a fake English (mocking the fact that many Brazilians prefer foreign music despite being unable to understand it), exaggerate posing, outrageous clothes and gear.

The success they achieved was so high, they even have their own MTV show, where only heavy metal videos are broadcasted (which, to some, is surprising, considering the pop-oriented nature of MTV).

It is rumored that their tour drummer is Cavalera Conspiracy's Igor Cavalera. Massacration actually opened some venues for Sepultura during the course of 2005, and Cavalera actually played with them in some venues, under the alias "El Covero" (Spanish for the gravedigger).

Massacration debuted in 2006 in Rockgol, a Brazilian MTV show, in the Pirulândia team, along with Supla, Falamansa, Sonic Jr. and Lucas Santtana.

Style:
Massacration chiefly satirises Manowar, Angra, Judas Priest and Iron Maiden, with minor references to Sepultura, Saxon, Black Sabbath and Viking metal in general. Their main targets are the Brazilian heavy/power metal fans who can't speak English but still love the genre, the Brazilian groups who sing in (often broken) English (like Angra, Dr Sin, Sepultura, Viper and others) and the heavy metal culture in general, with its leather jackets, black clothes, long hair and frowns. The very fact that the Brazilian headbangers laughed at their jokes and even embraced their music.

Regarding their lyrics, they are intentionally written in a very broken English (which may be unintelligible in a native speaker's ears) mixed with embromation (macaronic words formed by the addition of typical English suffixes like -ation, -atic, -ful, -ness and others to Portuguese roots). Sometimes entire sentences or stanzas can be in Portuguese—and not gibberish, unlike some foreigners believe. For instance, the introduction of "Metal is the Law" includes the lines: ai, ai, ai, ai,/ em cima, embaixo/e puxa e vai, which are verses taken from a 'marchinha de Carnaval' (Carnival song) known nationwide and would translate to ugh, ugh, ugh, ugh/above, below/pull and go. Also, some words whose translation would not be known are thrown in the lyrics in Portuguese, like the first verse of "Metal Dental Destruction", which says "fear of the killing broca...", in which broca refers to a dental drill.

The overall image of the band, their subjects and the recurrent terminology suggest a heavy influence of Manowar (and Judas Priest as well, especially when it comes to their image of leather-clad headbangers). However, while most of their songs have names that suggest violence, death, sorrow and sacrilege, they are actually always light-hearted, humorous and naïve, pointing to a joyride lifestyle instead of the gloomy atmosphere of actual heavy metal records.