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Green Yeti - Necropolitan review




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Reviewer:
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18 users:
7.06
Band: Green Yeti
Album: Necropolitan
Style: Stoner doom metal, Psychedelic rock, Stoner metal
Release date: March 2023


01. Syracuse
02. Witch Dive
03. Jupiter 362
04. Golgotha
05. Dirty Lung
06. Kerosene
07. One More Bite

It's both a blessing and a curse that so many albums are released throughout the year. A blessing because that's proof of a blooming music industry. A curse because there's the inevitable (and very probable) possibility that the best albums of the year end up going largely unnoticed, buried under the ever-flowing stream of new releases. Thus, I almost would've missed one of the best stoner albums of the year, discovering it eight months after its release only by spotting a new comment in the album thread here on Metal Storm (thanks, Liafev!).

So, as you've probably guessed by now, this “one of the best stoner albums of the year” I'm referring to is Green Yeti’s Necropolitan. This is the Greek band's third full-length release, and it's somewhat of a comeback album, with their last album already being six years old. Well, one thing's for sure: they haven't lost their touch. They're still playing finest psychedelic/stoner/space rock, and, in fact, improving with every subsequent release.

Throughout Necropolitan, Green Yeti rely on catchy choruses and fun lyrics, but also indulge in long, purely instrumental passages. After the second track, for example, the listener has to listen to ten whole minutes of both ambience and groovy riffs (not that I’m complaining) before one hears the next spoken word on track 4. The singing on Necropolitan is mostly performed in a style that should be all too familiar among stoner fans. Yet, the slight imperfections and lazily adolescent-sounding delivery add an extra layer of charm to the band. Instead of a stale, by-the-numbers performance that's sadly common among many bands, Green Yeti give an unpolished impression that speaks with raw emotion.

But don't be mistaken. While their playing might be fun and wild, the production and sound are clearly expertly engineered. Especially satisfying is the thick, meaty bass guitar, which is very prominent in the mix as it leads the pack in the slower, psychedelic ambience and accompanies the fuzzy guitar riffs during faster moments. The second half of the song “Golgotha” is a nice example in this sense. Within the maelstrom of frenzied guitar-work, the patient, groovy bass acts as a strongly fastened guideline, leading the listener through the murky stoner haze.

While the instrumentation stays quite consistent throughout the album, the lyrical theme is anything but. Yes, it can be argued that there's some sort of interstellar through-line, but the moods conveyed by the different songs are very diverse. “Witch Dive”, for instance, is reminiscent of many classic rock songs, telling of an attractive woman from out of this world. Yet, “Dirty Lung”, with a surprisingly deep vocal style, shifts the mood to a dismal sci-fi setting. “Kerosene” offers again a more free-spirited feeling, before the album ends on the more menacing, apocalyptic track “One More Bite”.

“What if I'm stoned out of my fucking head?”

Yeah, that lyric from the final song tells you all you need to know. Green Yeti are stoned out of their minds and aren't worried about a damn thing. And why should they be? They're delivering some of the best stoner sounds of the year and making it look so, so easy.







Written on 24.11.2023 by The sign of good music is the ability to both convey and trigger emotion.


Comments

Comments: 2   Visited by: 16 users
29.11.2023 - 08:35
nikarg
Staff
I like this as much as you do
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02.02.2024 - 16:14
Rating: 8
Liafev
Ah I had not noticed that review (browsing the awards now). Glad I indirectly brought it to your ears. Definitely one of my favourite stoner albums of the year as well, so energetic and groovy. And again, that bass! It sounds very unique to me. I have no idea about bass recording at all, but it sounds to me as if one can hear the actual sound of the strings being played on top of the note generated afterwards, if that makes any sense ?

I didn’t think of the singing as unpolished, but I guess it makes sense. I liked that he is quite free with the styles of singing. Especially the 10mn instrumental part you mentioned between tracks 3 and 4, with that progressive build up that leads to the singer going fucking wild. I found that 10mn a bit long the first time, but now I find it perfect, it’s like I’m a kind waiting for my gifts on Christmas Day, it’s coming, and I know it!

Also I’ll have to read the lyrics after seeing what you say about them, I’m intrigued now.

Really fun album, and nice review
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